DIGITAL SUBLIME : PERSISTENT FIELD I
PRIMJYNJ
YEONJEONG JANG
'In Digital Sublime: Persistent Field I, nothing blooms and nothing fully disappears. Existence is not presented as an event or moment of transformation, but as a sustained condition — a state that settles, lingers, and quietly endures. Time does not unfold in a linear way; instead, density drifts across the field, subtly altering perception without announcing a beginning or an end. The work explores a mode of being in which change is continuous yet almost imperceptible, and presence is held in suspension. Here, the sublime emerges not through spectacle, but through persistence, stillness, and the quiet pressure of duration.
DISPLAY TYPE : VERTICAL
RUNTIME : 01’ 00”
RESOLUTION : MAX 6K
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digital art, media art, LED display, art for space, screen art, immersive experience, generative art, curated digital art, art subscription, art licensing, media art platform, dstrict, CGV

[Copyright Notice & Strict Prohibition of AI Training Use]
All text, images, videos, and other content on this page (hereinafter the "Works") are the original creations and copyrighted property of authors, strictly protected under the Korean Copyright Act and international treaties. Without the express prior written consent, you may not, in any form or by any means, reproduce, distribute, perform, display, publicly transmit (including, but not limited to, capturing, downloading, or streaming), create derivative works from (including, but not limited to, retouching, editing, or adapting), or use the Works for the purpose of collecting data for and/or training artificial intelligence (AI) models (including, but not limited to, web scraping or crawling). Please be warned that any unauthorized use of these Works in disregard of this notice will result in civil and criminal liability under applicable laws.
digital art, media art, LED display, art for space, screen art, immersive experience, generative art, curated digital art, art subscription, art licensing, media art platform, dstrict, CGV
